Unphotographable

I am an imper­fect pho­to­grapher. Impre­cise and imprac­tical. Unprac­tised and ama­teur. The frame that I form between my out­stretched fin­gers is incon­sist­ent, unevenly shaped, plain wrong. My astyg­matic eyes fre­quently fail as a pin-sharp view­finder. My nervous bal­ance and lack of poise turn the focused to fuzzy.

I prefer a statue to a liv­ing and breath­ing entity, because the former is unable to shy away from my fumbled attempts at trans­form­ing it into art. Still life can­not decide to adjust its pos­i­tion in the same micro­second that the shut­ter whirs, clicks and mech­an­ic­ally blinks. Con­crete and wood win out over flesh and bone, even though my unspoken desire would be to pre­serve a per­son in pixel­lated history.

In the dark­room of my dreams, shad­owy pro­files become power­ful por­traits that move the viewer to tears. In my ima­gin­ings, I am the silent yet author­it­at­ive pres­ence obscured behind the glass of tech­no­logy, who asks not for a smile daubed from cheek to cheek in the broad­est brush­stroke, but merely for an expres­sion filled with truth.

So when that fleet­ing moment presen­ted itself as almost too pic­ture per­fect — evenly framed, your face evoc­at­ively lit by the hazy sun­light of a spring even­ing, and with your skin pulsing with life and a tale told — I reached for the cam­era once more, in the dis­tant hope of sav­ing the scene for pos­ter­ity. My hands carved the lens out of thin air, my eyes fine-tuned their focus and depth, my face edged closer to mag­nify the image, and my right index fin­ger pressed the shut­ter release.

No whir, no click, no mech­an­ical blink.

I am an imper­fect pho­to­grapher, but I sur­passed my inex­per­i­ence in the brief pause of a snap­shot. I recor­ded a look that will last into bey­ond. I caught your gaze and sent it forth to live its life. Not on film. Not on paper. Not even on a screen. But here, only here. Where it belongs.

Comments: 9

    Very true — Pho­to­graphs are prompt­ers for the memory.

    overnighteditor | 05.12.08, 23:02

    Great stuff. I take slightly bet­ter pho­tos now I have a digital cam­era and can take many and edit and crop and straighten etc. but they still fall far short of what I see in my eye.

    ‘the dark­room of my dreams’ — is a great phrase, there is fun to be had in that image alone.

    jem | 05.13.08, 12:37

    Stub­bornly refus­ing to be defined as a par­tic­u­lar moment, frame of time, escap­ing the pre­ten­tious wit from the overly stud­ied hand of a pho­to­grapher, they live instead untethered, and free, like a reck­less dare.

    blueseaurchin | 05.13.08, 22:16

    OE — You’re right, and even though there is no image on pho­to­graphic paper to hold in my hands, this pic­ture will def­in­itely stay in the mind and prompt fur­ther memories.

    Jem — All my pho­tos fall short of what I actu­ally see. They’re gen­er­ally sharp and focused, for one thing.

    Blue­seaurchin — ‘Free, like a reck­less dare’. I like that.

    An Unreliable Witness | 05.14.08, 10:20

    I love, “I caught your gaze and sent it forth to live its life.” these words will also live a life in my mind. Thank you.

    lillipilli | 05.16.08, 00:49

    I just have to say; you should get a Hol­gan cam­era. No digital pho­tos, just the whirr and the click.

    Ziv Catbee | 05.16.08, 10:10

    Lil­li­pilli — Thank you. My words liv­ing a life in someone’s mind is all I can ask, really.

    Ziv Cat­bee — Never heard of a Holga, but have always fan­cied tinker­ing with a Lomo. But there’s the cost of film to con­sider. So instead, I have a Lomo Pho­toshop fil­ter. (I know, I know, I’m a heathen.)

    An Unreliable Witness | 05.16.08, 21:03

    “I caught your gaze”…This made me think of Eve Arnold. In Ret­ro­spect is so, so good. And there’s also some excel­lent stuff in Mag­num Stor­ies. But I don’t get to look at that too often as it’s too bloody heavy to pick up. Some pho­to­graphy col­lec­tions should have their weight spe­cified before you order them. Any­way, aside from the book recom­mend­a­tions, I liked this very much.

    seahorse | 05.24.08, 00:05

    But here, only here. Where it belongs.

    This of course is what pulls the whole post together, the imper­man­ence of the tan­gible and the kind of immor­tal­ity only the mind has.
    Not that you didn’t know that.

    Warren Terra | 03.07.09, 13:49

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