Winged messenger

Vow, that’s what she calls her­self. She sits in silence, because someone might be listen­ing. Watches the walls, because they could be cast­ing sly glances at her frame, hid­den beneath such unas­sum­ing clothes.

Ten o’clock. There is burble and hiss. It seems the news is not good. The drought is worsen­ing; the live­stock are fall­ing before they even get to the trough in a final, futile attempt to slake their thirst. She blinks into the pic­ture, wish­ing for interference.

The time that was now is not. It’s in the past. Days ago. That moment was merely the last in which she moment­ar­ily dragged her gaze away from fixed for­ward, dead centre. There.

Vow doesn’t hope for much, yet she dares to mouth a wish that all the sheep will be long dead, that the flies and nature’s ravaging caress will have picked their car­casses clean and white. Skel­et­ons are easier to sweep into pyres. Flesh isn’t as clean as it should be: it dis­gusts her.

The walls are still watch­ing. She doesn’t take her eyes off them, because she can never be sure. Some­times the wall­pa­per — no, no, it doesn’t. Impossible, with a face that she still hasn’t touched.

Vow listens to music from her youth. From her father’s youth. She can feel his hardened rural hand tap­ping out the rhythm of a simple blues. A fist­ful of hair becomes a strummed chord, pulled into the lurch­ing melody by blun­ted fin­gers. He plays her, but she won’t sing.

The bird will come. That’s what Vow is hop­ing. Only then will she look away, take a cal­cu­lated risk and let her­self be watched, just for a moment. She doesn’t get many visitors.

This bird, it has eyes that don’t give any clues. Cer­tainly no sug­ges­tion of where its migra­tion may have car­ried it. But if Vow con­cen­trates, maybe she can fol­low its flight. If she coaxes it inside, over the peel­ing sill, this could be the one time when the creature allows her to wash its feath­ers clean, squeeze the sponge on her tongue to quench her need, and taste the city’s acrid fumes in her sand-blasted throat.

Comments: 6

    What can I say? In a single page you give the reader hope, des­per­a­tion, sweet­ness, sad­ness — and vis­ions, and viol­ent real­ity. I want to be Vow, and I want to be the bird; and in a way I want to be *you*. That means: this short story is perfect.

    l./m. | 01.07.10, 10:48

    I knew a woman called Vow when i was little. This sounds uncan­nily like her…

    Lex | 01.07.10, 14:17

    Could any­one be more real than Vow is, at this very moment? I feel like she’s per­fect, or at least per­fectly embodied.

    Emma | 01.07.10, 21:13

    Silence can be so uncon­vin­cing, but you but­ter the silence and with pop­corn we can eat the fruit of your wordage.

    Marvin K. Mooney | 01.09.10, 18:11

    I love this. It has a tone that appeals to me, and you handle that tone so well. I love the images that shift and repeat. In addi­tion it made me think of Nirvana’s ‘Polly’.

    jem | 01.19.10, 17:04

    Your lit­er­ary skill is impress­ive, to say the least. In a few short words you’ve por­trayed what seems like a dry siege of the spirit. Hemmed in by her past, by the world, by the watch­ing walls without a kindred spirit except a tiny bird that brings some vague but pre­cious impres­sion of the world beyond.

    Well done.

    Helios | 02.13.10, 14:15

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