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Conjunction

Darby Larson’s ABJECTIVE marks the 100th piece on the site with an unchar­ac­ter­ist­ic­ally brief con­tri­bu­tion from yours truly: Lost Prop­erty. It’s both the most and least sense I’ve made in quite some time.

Semi-automatic #3

We should grow beards, take up axes and dulled knives, then stab the taw­dry nat­ives in their skinny, bone-stacked backs. Don’t look the fuck­ers in their faces. Don’t meet their gaze. Skin them alive and we can make fires and coats and leather boots. We can stay warm until Feb­ru­ary, if we’re lucky.

Okay, okay, you need to come round here and kick me repeatedly in the teeth. Please. Just so I can finally remem­ber what exactly I’m sup­posed to be doing with my thoughts. Maybe you can remind me, if your boots are steel-toed and suit­ably industrial.

I’m only a mas­ochist from Monday to Fri­day. On Sat­urday, I become a sad­ist. On Sunday, I rest. Like God. Though the dif­fer­ence is that I exist. Allegedly.

Protected by a big tin angel

You need to be a self-publicist to get noticed on the web. It was ever thus, but as the noise increases I have dis­covered that you need to shout even louder. Unfor­tu­nately, I am a lousy self-publicist — and get­ting worse all the time thanks to levels of self-confidence that now reside in the base­ment while the rest of me still lives on the fifth floor. So. I have a piece of prose mas­quer­ad­ing as poetry but then decid­ing that it is still prose fea­tured in this. My con­fused attempt at prosetry (did you see what I did there? did you?) is, to be more spe­cific as to its loc­a­tion, here. But before you get to that, since it is alpha­bet­ic­ally at the end of the issue, there are many other fine pieces to read; pieces which know for cer­tain that they are either fic­tion or poetry (which is prob­ably a bet­ter approach to take, if I’m honest).

Dropped caps

I have achieved the rare dis­tinc­tion of becom­ing a ste­reo­type, of indul­ging in beha­viour so tedi­ously hack­neyed that no one would dare to write it into a piece of fic­tion because they would be accused of deal­ing in the worst kind of dra­matic cliché.

Because tonight, I sat and stared at a blank white screen for an hour. A full hour. I opened TextEdit, my bare-bones word-basher of choice, and that was it. That was the most decis­ive action that occurred for the next sixty minutes or so.

I stared intently at the cursor. On, off, on, off, on, off, on, off. At one point, I even hoped that its hyp­notic pulsing might set off some kind of verbally rhythmic chain reac­tion in my head. It didn’t. I simply con­tin­ued to stare. Vacantly. After about fif­teen minutes, I think I even stopped rest­ing my hands near the key­board, where they had been lying in expect­a­tion of the sud­den tor­rent of words that I assumed was about to spill out of my brain and tumble down to my fingertips.

Hav­ing desired a few mea­gre seeds of inspir­a­tion to bring forth what I hoped would be a sud­den rush of cre­ativ­ity, all I got was a stul­ti­fy­ing sense of ter­ror that spewed out a still­birth of all-consuming self-hatred.

Logic whis­pers to me. It says I’m too old, too ugly and too weary for all this. Of all the voices that whis­per to me when it’s quiet, I should prob­ably listen to logic the closest.

Cogwheels

I’ll stifle your. I’ll embroider your. I’ll stab your. I’ll take your. These aren’t, this isn’t, you aren’t a curi­ous mind. I’m against this argu­ment and I don’t have its reins any­more. I’m against this wall and I can’t feel my back anymore.

You say brick­work, I say stone. You say win­dow, I say cel­lar. You say inno­cent, I say I know you bet­ter than that. You say pur­pose, I say noth­ing. We both speak of dreams, but then I bring yours into being and push cot­ton candy into your gul­let until you choke spumes of sugar. I form your body into a star­ted spread-eagle so I can watch your insens­ible grin and your final ran­cid rattle. I take your teeth, one by one, and give them a new reason to chew. Your mouth can no longer form words, even breathe, but this rough-hewn cog will fit snugly against unre­mark­able and obed­i­ent wheels to ease my pas­sage from sperm to ash, from bawl­ing babe to drib­bling dotage.

I run the water hot­ter than I can stand. I scrub myself dirtier than I’m fit for and tie myself tighter than a body bag. I dash and dot ima­gin­ary codes against my skin so that I can be the book of someone’s choos­ing. Your escap­ist fantasy, his magical real­ism or her lin­guistic fire escape. I scratch import­ant phone num­bers into my scalp while wish­ing my hair was longer so that no one can call them.

I want to be taken in the morn­ing, against the rain and against the sky­line, while cocooned in blurred vis­ion and mis­ted breath win­dows. You can inter­pret that state­ment in whatever way you wish, because that is why we’re here. That is why we’re all here.

Waterlogged words

I like that phrase. Not mine, incid­ent­ally. “Water­logged words” is the strap-line for the fre­quently updated feast of poetry and prose placed online by lit­er­ary magazine amphibi.us, and today they pub­lished some­thing by me. Here it is. Many thanks to chief amphi­bian Shan­non Peil for his indul­gence of my sentences.

Today, as fur­ther proof that I should prob­ably pull my head out of my own pos­terior on occa­sion, I found myself email­ing a small pub­lish­ing house to ask for the details of a par­tic­u­lar font they had used in the body text of one of their books. (Did someone shout “anorak”?) To sat­isfy the curi­os­ity that I know you must be feel­ing at this point, this is the pub­lisher; the book on the right is the volume in ques­tion; and its text — as I have now dis­covered thanks to a very prompt reply — is set in the exquis­ite Chel­ten­ham Light, which is going to be my new favour­ite font for, well, at least the next ten minutes.

Tomor­row, why not write some­thing in Chel­ten­ham Light? You’ll feel bet­ter about the world, and this small act of font appre­ci­ation may even help you to tem­por­ar­ily for­get that we are all, sooner or later, going to choke to death in a pois­on­ous cloud of car­bon monox­ide fumes. It’s the little things in life that matter.

Silver bullet of undying love (a glimpse)

YOU know and you KNOW when all you can THINK is that you should do some­thing ELSE but when you start to think what else and you can’t think of ANYTHING else because you’re too old to know BETTER and too old to know any DIFFERENT too BRAIN-dead and too MIND-set and too BODY-set to be able to pull your­self from the JAWS and prise open the clenched FIST and you wish that ideas hadn’t been put into your HEAD back then because your head is just a dulled flabby MUSCLE and you want to pull your own THROAT out and what age are you what AGE are you really and you want to dig a circle of FLESH out of the soil and clothe your­self in the EARTH and say good­bye to the SKIN and every let­ter upper­case or lower­case looks dead on the OUTSIDE and ill-formed so you mis­treat it and punch it up and leave it bloody and then you can barely arrange each one into SENSE or even IDIOCY even idiocy would do because it’s long past the time when you should embrace inan­ity and inebri­ation but alco­hol wears OFF in the morn­ing you don’t want it to wear off and you don’t desire any WORD or PERSON or per­son or word and no SENTENCE is enough and every PARAGRAPH is mean­ing­less drivel and you don’t want the beau­ti­ful because you’ll snatch out its HEART and you don’t want the ugly because you’ll eat out its LUNGS and all you want to do is for­get LANGUAGE and gram­mar and rules and reg­u­la­tions and just EXIST so that you don’t know what MADE you or what BECAME of you or even what BECOMES of you and the words are too simple the words are too com­plex the words don’t mean any­thing the words all mean some­thing to someone and some­where but you’re not some­thing or someone or some­where so clearly it’s a CODE you don’t under­stand and you want the KEY but only so you can swal­low the key and even­tu­ally expel it into the sew­ers along with by-products expend­able CELLS and NAMES and PLACES and TIMES and DATES and every FACT you’ve ever learned and ever stored and ever recalled and dig keep dig­ging keep dig­ging until you strike METAL I want us to strike metal but I know that all we’ll hit is STONE and that’s okay too because we can replace ourselves with ROCK and SEDIMENT and slide the knife in and twist the knife in and stab until we’re liv­ing again and breath­ing again and we’re MORTAL again we’re mor­tal again we’re mor­tal again we’re mor­tal we’re mor­tal again we’re mor­tal we’re mor­tal again mor­tal we’re mor­tal again are you MORTAL again we’re mor­tal again MORTAL we’re mor­tal yes please be please no don’t be don’t be mor­tal be dead and be bur­ied in the circle of flesh and we can be SOILED in earth and swal­low black squares with the alpha­bet emblazoned on each plastic tab­let until they churn up our KIDNEYS and rup­ture our LIVERS and curdle our BLOOD and tear out our LUNGS and fry our tiny MINDS
and stifle our
b  r  e  a  t  h  i  n  g
stifle our
b  r  e  a  t  h  i  n  g
stifle our
b  r  e  a  t  h  i  n  g
and halt our
b  r  e  a  t  h  i  n  g
halt our
b  r  e  a  t  h  i  n  g
halt our
b  r  e  a  t  h  i  n  g
and steal our
b  r  e  a  t  h  i  n  g
steal our
b  r  e  a  t  h  i  n  g
steal our
b  r  e  a  t  h  i  n  g
and leave us to
c  h  o  k  i  n  g
leave us to
l  i  v  i  n  g
leave us to
f  u  c  k  i  n  g
and
b  e  i  n  g
and
d  y  i  n  g
and
s  t  o  p  p  i  n  g
and
e  n  d  i  n  g

Semi-automatic #2

This time of night, the pav­ing stones sing to no one and to every­one. They chant their drunken chor­uses and non­sense rhymes. I wish I was with them, into and without their sweaty tor­sos, singing mean­ing­less groans and inebri­ate anthems to the upper floors and the dis­tor­ted heav­ens, scud­ding fast and loose without purpose.

Come up here and look me in the eyes. Kiss me on the blood-spattered mouth and tell me that this will mend, this will under­stand, this will all make sense in the morn­ing. Punch me if I don’t tell you truths, if I don’t sense you sense­less. Oh, for­get it now. For­get it. That slap sounds sharp, but I need it, crave it.

Instead, I con­jure up names and num­bers and pack drills. Lists of blood types and venge­ful fantas­ies etched in con­crete and metal. Tor­tured anim­als and sick chil­dren on skew­ers. Pray if you no know better.

I suck on cen­ti­metres of skin, wish­ing for bones under­neath but only tast­ing juice and burn­ing. I devour souls so that my guts can stay full until morn­ing. I don’t dream, because dream­ing is weak­ness and shelves stuffed to the point of col­lapse with ama­teur psy­cho­logy. All I do is eat you alive. Eat me alive in return. Eat me alive. Eat.

Purely medicinal

Sleep. Snort. Fuck. Not a descrip­tion of my aver­age day, sadly. Only the first of those three really applies to me, in truth. And as I cer­tainly don’t get enough sleep, you can ima­gine what my record for the other two must be like. But I digress. This is SLEEP. SNORT. FUCK. And today’s sleepily snort­ing fucker is me, with a small tablet’s worth of prose entitled Always Read the Label. Hav­ing told you that, I’m off to indulge in an effer­ves­cent Vit­amin C tab­let. I might even be reck­less and have two. Then I’m going to bed early. Phew, rock ‘n’ roll.

[Note: if you haven’t done so already, read the post before this one. Because I don’t remem­ber writ­ing it. Really. I don’t. Not a single word. Impress­ive. Scar­ily impress­ive. Or just scary.]

Semi-automatic #1

I wake with spiders spin­ning their slither­ing webs across my eyes, and taste them hatch­ing their eggs on my lazy, lolling tongue. There’s a rolling, salty, dirty ocean drag­ging my limbs down into its oily depths. I mur­mur ques­tions and wait for answers. Do you still keep keep your plants in an open-air cup­board? Do you still pin your thoughts on a cork board? Do you still scrawl your night­mares on the front of your fridge? Do you still scurry up the stairs because you’re afraid of shad­ows? I don’t hear any replies, so I scrunch the spindled insects in my skin-shard fists and cover the wounds with mere ghosts, the sticky remains of bloody Elastoplast. Pick­ing up the knife, I bru­tally slice away the half of me that’s still alive, that might still be of use to devi­ous enemies and for­eign spies intent on caus­ing harm to the national, notional interest.

Speak to me in slurs and stop­gaps, whis­per to me in riddles. Who knows?

Hey, grue­some. Hey, fuck­face. I look out front, dumb­struck by solitude, and snap to sud­den, wet-dream sod­den and awful, aroused atten­tion. I am a poor sol­dier, a worse war­rior, a failed fighter, a devi­ant on record for crimes never com­mit­ted. I’ll com­mis­er­ate with you later. Right now, I have a storm to attend to and a light­ning bolt to catch. Hold on to the chicken wire, fuck­ing battery-powered bat­tery chicken bat­tery hen and plucked bird for slaughter. Squawk to the cloud-ridden skies and scream, scream, scream, scream, scream. Scream until you’re afraid. Afraid of some­thing, afraid of some­thing that you can’t even give a name. You can’t even christen the baby. You can’t smother a still-breathing foetus.

Are you afraid? I’m afraid. I’m afraid. I’m afraid. AFRAID.

Sprain and pinch

If you are a mangled organ, pierced, then this is how you dance. Twist over, unravel and bleed through my shirt. I have worn red for such a spe­cial occa­sion (I remembered to put on clean under­wear, too). I have sixty thou­sand miles of ves­sels to spread among the popu­lace in the hope that they can reuse them for frivol­ous dec­or­a­tion “because it’s how he’d want to be remembered”. I have writ­ten clear instruc­tions on my Donor Card to this effect. I have asked, too, for my eyes to be placed in a match­box and given to a small child who thinks there are mon­sters in the cel­lar. (There are mon­sters in the cel­lar, make no mis­take, but they’re often friend­lier than the humans.) I have fur­ther instruc­ted that my clenched fists should be stripped of their remain­ing skin, hav­ing defen­ded me so well dur­ing the less than eleg­ant scuffles, and shoved onto the rust­ing prongs of metal rail­ings, ideally at a site of immense his­tor­ical import­ance and national pride; some­where where the sound of my decay­ing bones frac­tur­ing then fad­ing into dust on the breeze will at least not seem too futile as final ges­tures go. And lastly — lastly — peel off my cereb­ral cor­tex, which I insist must retain every single con­scious and uncon­scious thought I’ve ever had, every memory and word pre­cisely cata­logued and stored, and force it down my killer’s throat. Make it stick. Make them choke.

A new national anthem

Stand to atten­tion. Show no emo­tion. Salute. Give the state your best blank-eyed stare. Kneel when ordered. Rise when ordered. Turn when ordered. Kill when com­manded. Expire when expedient.

Place your pos­ses­sions in their metal safe. Turn into a num­ber in a sea of sim­il­ar­ity, of upturned faces, of reg­u­la­tion uni­forms, of beatific smile upon beatific smile. You will exist only to work for the Supreme Leader Whom We Love, and for the bene­fit of the masses. You will com­ply. You will give up your cre­den­tials when asked, but never your name. Your name is not import­ant. The per­son you once were is safely sealed in the files, deep in the government’s steel-lined vaults.

They will punch your face, red­den your eyes, shave your head, knock you sense­less, harsh-flash your pho­to­graph and mark your dulled expres­sion with a foot and with ten ran­dom digits. Rub­ber­stamped. Author­ised. Cat­egor­ised. Your iden­tity will be replaced with a drone. You will be sent me to your pro­grammed des­tin­a­tion to live, breed, work and die, but noth­ing more.

Indi­vidual respons­ib­il­ity? It will be beaten out of you. Notions of per­sonal free­dom? They will be seized from your grasp­ing hands so that your wrists can be shackled to the indus­trial grind­stone with the rest of the proudly face­less nation. Exist­ence? Your head will be pulled from the clouds and pushed down onto the bat­tle­ments, ready to fight the unseen enemy, the enemy who does not, in truth, exist.

“Give me the pat­ri­otic words, the verses filled with empty rhet­oric. I will sing them from my heart, fists clenched, my right arm raised towards the flag. There will be no tears in my eyes, but what remains of my spirit, whatever the state has failed to claim, will surge with man­u­fac­tured emo­tion. Because this is my Uto­pia. This is my home. This is free will.”

Three prayers, then silence

We pray to the west shore.

This being — your god, we don’t know his name — this being eats through the sand and gets between your toes. He wraps him­self in skin foil, in body-bags and debris. He does not accept pray­ers before sun­rise, no mat­ter how earn­est or plead­ing they might be. He looks down and observes the crawl­ing souls, but doesn’t extend a hand to scoop them up because his fin­gers are wrapped tight around an archive of words, all the verses and mur­mured pray­ers he com­mis­sioned from the greatest minds alive, and he has become too pro­tect­ive of them, too guarded. He refuses to let even a syl­lable fall from his grasp in exchange for sav­ing a single soiled nat­ive from the oncom­ing tide.

We pray to the east shore.

Here, your god is dead. The skin foil has long ago been shred­ded, the body-bags unzipped and emp­tied of their walk­ing bones. The debris has been fash­ioned into statues of lust, pleas­ing to the eye and to the caress­ing touch. Feb­rile minds, drunk on blustery air car­ried in on the waves, can eas­ily ima­gine these shapely forms being open and com­pli­ant. Rape is the price of such pro­gress, such dis­eased ima­gin­a­tions, and under their inva­sions these child-bearing hips of con­crete and metal will, if impreg­nated, give birth to the future. The beach­combers dream of nat­ives who won’t crawl in the mud, but will instead run into the sea and wash them­selves until they’re adults, bled clean and ready to breed for the first time. Words, mean­while, are his­tory, washed away in the murky brine.

Behind our massed ranks of name­less, num­ber­less sol­diers — the eager, war­mon­ger­ing front line, then the unpro­tec­ted can­non fod­der, fol­lowed by the scared to shiv­er­ing rear gun­ners — north clings des­per­ately to gravity’s embrace. She wants to believe in the earth in all its roots, stones and cor­puscles, and she prays fer­vently to be held forever and ever, amen.

We look south.
We bow our heads.
We pray to no one.

Keep this card with you at all times