Untitled
Search me.
Search me.
Darby Larson’s ABJECTIVE marks the 100th piece on the site with an uncharacteristically brief contribution from yours truly: Lost Property. It’s both the most and least sense I’ve made in quite some time.
We should grow beards, take up axes and dulled knives, then stab the tawdry natives in their skinny, bone-stacked backs. Don’t look the fuckers in their faces. Don’t meet their gaze. Skin them alive and we can make fires and coats and leather boots. We can stay warm until February, if we’re lucky.
Okay, okay, you need to come round here and kick me repeatedly in the teeth. Please. Just so I can finally remember what exactly I’m supposed to be doing with my thoughts. Maybe you can remind me, if your boots are steel-toed and suitably industrial.
I’m only a masochist from Monday to Friday. On Saturday, I become a sadist. On Sunday, I rest. Like God. Though the difference is that I exist. Allegedly.
You need to be a self-publicist to get noticed on the web. It was ever thus, but as the noise increases I have discovered that you need to shout even louder. Unfortunately, I am a lousy self-publicist — and getting worse all the time thanks to levels of self-confidence that now reside in the basement while the rest of me still lives on the fifth floor. So. I have a piece of prose masquerading as poetry but then deciding that it is still prose featured in this. My confused attempt at prosetry (did you see what I did there? did you?) is, to be more specific as to its location, here. But before you get to that, since it is alphabetically at the end of the issue, there are many other fine pieces to read; pieces which know for certain that they are either fiction or poetry (which is probably a better approach to take, if I’m honest).
I have achieved the rare distinction of becoming a stereotype, of indulging in behaviour so tediously hackneyed that no one would dare to write it into a piece of fiction because they would be accused of dealing in the worst kind of dramatic cliché.
Because tonight, I sat and stared at a blank white screen for an hour. A full hour. I opened TextEdit, my bare-bones word-basher of choice, and that was it. That was the most decisive action that occurred for the next sixty minutes or so.
I stared intently at the cursor. On, off, on, off, on, off, on, off. At one point, I even hoped that its hypnotic pulsing might set off some kind of verbally rhythmic chain reaction in my head. It didn’t. I simply continued to stare. Vacantly. After about fifteen minutes, I think I even stopped resting my hands near the keyboard, where they had been lying in expectation of the sudden torrent of words that I assumed was about to spill out of my brain and tumble down to my fingertips.
Having desired a few meagre seeds of inspiration to bring forth what I hoped would be a sudden rush of creativity, all I got was a stultifying sense of terror that spewed out a stillbirth of all-consuming self-hatred.
Logic whispers to me. It says I’m too old, too ugly and too weary for all this. Of all the voices that whisper to me when it’s quiet, I should probably listen to logic the closest.
I’ll stifle your. I’ll embroider your. I’ll stab your. I’ll take your. These aren’t, this isn’t, you aren’t a curious mind. I’m against this argument and I don’t have its reins anymore. I’m against this wall and I can’t feel my back anymore.
You say brickwork, I say stone. You say window, I say cellar. You say innocent, I say I know you better than that. You say purpose, I say nothing. We both speak of dreams, but then I bring yours into being and push cotton candy into your gullet until you choke spumes of sugar. I form your body into a started spread-eagle so I can watch your insensible grin and your final rancid rattle. I take your teeth, one by one, and give them a new reason to chew. Your mouth can no longer form words, even breathe, but this rough-hewn cog will fit snugly against unremarkable and obedient wheels to ease my passage from sperm to ash, from bawling babe to dribbling dotage.
I run the water hotter than I can stand. I scrub myself dirtier than I’m fit for and tie myself tighter than a body bag. I dash and dot imaginary codes against my skin so that I can be the book of someone’s choosing. Your escapist fantasy, his magical realism or her linguistic fire escape. I scratch important phone numbers into my scalp while wishing my hair was longer so that no one can call them.
I want to be taken in the morning, against the rain and against the skyline, while cocooned in blurred vision and misted breath windows. You can interpret that statement in whatever way you wish, because that is why we’re here. That is why we’re all here.
I like that phrase. Not mine, incidentally. “Waterlogged words” is the strap-line for the frequently updated feast of poetry and prose placed online by literary magazine amphibi.us, and today they published something by me. Here it is. Many thanks to chief amphibian Shannon Peil for his indulgence of my sentences.
Today, as further proof that I should probably pull my head out of my own posterior on occasion, I found myself emailing a small publishing house to ask for the details of a particular font they had used in the body text of one of their books. (Did someone shout “anorak”?) To satisfy the curiosity that I know you must be feeling at this point, this is the publisher; the book on the right is the volume in question; and its text — as I have now discovered thanks to a very prompt reply — is set in the exquisite Cheltenham Light, which is going to be my new favourite font for, well, at least the next ten minutes.
Tomorrow, why not write something in Cheltenham Light? You’ll feel better about the world, and this small act of font appreciation may even help you to temporarily forget that we are all, sooner or later, going to choke to death in a poisonous cloud of carbon monoxide fumes. It’s the little things in life that matter.
YOU know and you KNOW when all you can THINK is that you should do something ELSE but when you start to think what else and you can’t think of ANYTHING else because you’re too old to know BETTER and too old to know any DIFFERENT too BRAIN-dead and too MIND-set and too BODY-set to be able to pull yourself from the JAWS and prise open the clenched FIST and you wish that ideas hadn’t been put into your HEAD back then because your head is just a dulled flabby MUSCLE and you want to pull your own THROAT out and what age are you what AGE are you really and you want to dig a circle of FLESH out of the soil and clothe yourself in the EARTH and say goodbye to the SKIN and every letter uppercase or lowercase looks dead on the OUTSIDE and ill-formed so you mistreat it and punch it up and leave it bloody and then you can barely arrange each one into SENSE or even IDIOCY even idiocy would do because it’s long past the time when you should embrace inanity and inebriation but alcohol wears OFF in the morning you don’t want it to wear off and you don’t desire any WORD or PERSON or person or word and no SENTENCE is enough and every PARAGRAPH is meaningless drivel and you don’t want the beautiful because you’ll snatch out its HEART and you don’t want the ugly because you’ll eat out its LUNGS and all you want to do is forget LANGUAGE and grammar and rules and regulations and just EXIST so that you don’t know what MADE you or what BECAME of you or even what BECOMES of you and the words are too simple the words are too complex the words don’t mean anything the words all mean something to someone and somewhere but you’re not something or someone or somewhere so clearly it’s a CODE you don’t understand and you want the KEY but only so you can swallow the key and eventually expel it into the sewers along with by-products expendable CELLS and NAMES and PLACES and TIMES and DATES and every FACT you’ve ever learned and ever stored and ever recalled and dig keep digging keep digging until you strike METAL I want us to strike metal but I know that all we’ll hit is STONE and that’s okay too because we can replace ourselves with ROCK and SEDIMENT and slide the knife in and twist the knife in and stab until we’re living again and breathing again and we’re MORTAL again we’re mortal again we’re mortal again we’re mortal we’re mortal again we’re mortal we’re mortal again mortal we’re mortal again are you MORTAL again we’re mortal again MORTAL we’re mortal yes please be please no don’t be don’t be mortal be dead and be buried in the circle of flesh and we can be SOILED in earth and swallow black squares with the alphabet emblazoned on each plastic tablet until they churn up our KIDNEYS and rupture our LIVERS and curdle our BLOOD and tear out our LUNGS and fry our tiny MINDS
and stifle our
b r e a t h i n g
stifle our
b r e a t h i n g
stifle our
b r e a t h i n g
and halt our
b r e a t h i n g
halt our
b r e a t h i n g
halt our
b r e a t h i n g
and steal our
b r e a t h i n g
steal our
b r e a t h i n g
steal our
b r e a t h i n g
and leave us to
c h o k i n g
leave us to
l i v i n g
leave us to
f u c k i n g
and
b e i n g
and
d y i n g
and
s t o p p i n g
and
e n d i n g
This time of night, the paving stones sing to no one and to everyone. They chant their drunken choruses and nonsense rhymes. I wish I was with them, into and without their sweaty torsos, singing meaningless groans and inebriate anthems to the upper floors and the distorted heavens, scudding fast and loose without purpose.
Come up here and look me in the eyes. Kiss me on the blood-spattered mouth and tell me that this will mend, this will understand, this will all make sense in the morning. Punch me if I don’t tell you truths, if I don’t sense you senseless. Oh, forget it now. Forget it. That slap sounds sharp, but I need it, crave it.
Instead, I conjure up names and numbers and pack drills. Lists of blood types and vengeful fantasies etched in concrete and metal. Tortured animals and sick children on skewers. Pray if you no know better.
I suck on centimetres of skin, wishing for bones underneath but only tasting juice and burning. I devour souls so that my guts can stay full until morning. I don’t dream, because dreaming is weakness and shelves stuffed to the point of collapse with amateur psychology. All I do is eat you alive. Eat me alive in return. Eat me alive. Eat.
Sleep. Snort. Fuck. Not a description of my average day, sadly. Only the first of those three really applies to me, in truth. And as I certainly don’t get enough sleep, you can imagine what my record for the other two must be like. But I digress. This is SLEEP. SNORT. FUCK. And today’s sleepily snorting fucker is me, with a small tablet’s worth of prose entitled Always Read the Label. Having told you that, I’m off to indulge in an effervescent Vitamin C tablet. I might even be reckless and have two. Then I’m going to bed early. Phew, rock ‘n’ roll.
[Note: if you haven’t done so already, read the post before this one. Because I don’t remember writing it. Really. I don’t. Not a single word. Impressive. Scarily impressive. Or just scary.]
I wake with spiders spinning their slithering webs across my eyes, and taste them hatching their eggs on my lazy, lolling tongue. There’s a rolling, salty, dirty ocean dragging my limbs down into its oily depths. I murmur questions and wait for answers. Do you still keep keep your plants in an open-air cupboard? Do you still pin your thoughts on a cork board? Do you still scrawl your nightmares on the front of your fridge? Do you still scurry up the stairs because you’re afraid of shadows? I don’t hear any replies, so I scrunch the spindled insects in my skin-shard fists and cover the wounds with mere ghosts, the sticky remains of bloody Elastoplast. Picking up the knife, I brutally slice away the half of me that’s still alive, that might still be of use to devious enemies and foreign spies intent on causing harm to the national, notional interest.
Speak to me in slurs and stopgaps, whisper to me in riddles. Who knows?
Hey, gruesome. Hey, fuckface. I look out front, dumbstruck by solitude, and snap to sudden, wet-dream sodden and awful, aroused attention. I am a poor soldier, a worse warrior, a failed fighter, a deviant on record for crimes never committed. I’ll commiserate with you later. Right now, I have a storm to attend to and a lightning bolt to catch. Hold on to the chicken wire, fucking battery-powered battery chicken battery hen and plucked bird for slaughter. Squawk to the cloud-ridden skies and scream, scream, scream, scream, scream. Scream until you’re afraid. Afraid of something, afraid of something that you can’t even give a name. You can’t even christen the baby. You can’t smother a still-breathing foetus.
Are you afraid? I’m afraid. I’m afraid. I’m afraid. AFRAID.
If you are a mangled organ, pierced, then this is how you dance. Twist over, unravel and bleed through my shirt. I have worn red for such a special occasion (I remembered to put on clean underwear, too). I have sixty thousand miles of vessels to spread among the populace in the hope that they can reuse them for frivolous decoration “because it’s how he’d want to be remembered”. I have written clear instructions on my Donor Card to this effect. I have asked, too, for my eyes to be placed in a matchbox and given to a small child who thinks there are monsters in the cellar. (There are monsters in the cellar, make no mistake, but they’re often friendlier than the humans.) I have further instructed that my clenched fists should be stripped of their remaining skin, having defended me so well during the less than elegant scuffles, and shoved onto the rusting prongs of metal railings, ideally at a site of immense historical importance and national pride; somewhere where the sound of my decaying bones fracturing then fading into dust on the breeze will at least not seem too futile as final gestures go. And lastly — lastly — peel off my cerebral cortex, which I insist must retain every single conscious and unconscious thought I’ve ever had, every memory and word precisely catalogued and stored, and force it down my killer’s throat. Make it stick. Make them choke.
Stand to attention. Show no emotion. Salute. Give the state your best blank-eyed stare. Kneel when ordered. Rise when ordered. Turn when ordered. Kill when commanded. Expire when expedient.
Place your possessions in their metal safe. Turn into a number in a sea of similarity, of upturned faces, of regulation uniforms, of beatific smile upon beatific smile. You will exist only to work for the Supreme Leader Whom We Love, and for the benefit of the masses. You will comply. You will give up your credentials when asked, but never your name. Your name is not important. The person you once were is safely sealed in the files, deep in the government’s steel-lined vaults.
They will punch your face, redden your eyes, shave your head, knock you senseless, harsh-flash your photograph and mark your dulled expression with a foot and with ten random digits. Rubberstamped. Authorised. Categorised. Your identity will be replaced with a drone. You will be sent me to your programmed destination to live, breed, work and die, but nothing more.
Individual responsibility? It will be beaten out of you. Notions of personal freedom? They will be seized from your grasping hands so that your wrists can be shackled to the industrial grindstone with the rest of the proudly faceless nation. Existence? Your head will be pulled from the clouds and pushed down onto the battlements, ready to fight the unseen enemy, the enemy who does not, in truth, exist.
“Give me the patriotic words, the verses filled with empty rhetoric. I will sing them from my heart, fists clenched, my right arm raised towards the flag. There will be no tears in my eyes, but what remains of my spirit, whatever the state has failed to claim, will surge with manufactured emotion. Because this is my Utopia. This is my home. This is free will.”
We pray to the west shore.
This being — your god, we don’t know his name — this being eats through the sand and gets between your toes. He wraps himself in skin foil, in body-bags and debris. He does not accept prayers before sunrise, no matter how earnest or pleading they might be. He looks down and observes the crawling souls, but doesn’t extend a hand to scoop them up because his fingers are wrapped tight around an archive of words, all the verses and murmured prayers he commissioned from the greatest minds alive, and he has become too protective of them, too guarded. He refuses to let even a syllable fall from his grasp in exchange for saving a single soiled native from the oncoming tide.
We pray to the east shore.
Here, your god is dead. The skin foil has long ago been shredded, the body-bags unzipped and emptied of their walking bones. The debris has been fashioned into statues of lust, pleasing to the eye and to the caressing touch. Febrile minds, drunk on blustery air carried in on the waves, can easily imagine these shapely forms being open and compliant. Rape is the price of such progress, such diseased imaginations, and under their invasions these child-bearing hips of concrete and metal will, if impregnated, give birth to the future. The beachcombers dream of natives who won’t crawl in the mud, but will instead run into the sea and wash themselves until they’re adults, bled clean and ready to breed for the first time. Words, meanwhile, are history, washed away in the murky brine.
Behind our massed ranks of nameless, numberless soldiers — the eager, warmongering front line, then the unprotected cannon fodder, followed by the scared to shivering rear gunners — north clings desperately to gravity’s embrace. She wants to believe in the earth in all its roots, stones and corpuscles, and she prays fervently to be held forever and ever, amen.
We look south.
We bow our heads.
We pray to no one.