First day, last day, every day

Okay. So you wake up. You wake up, you yawn, you scratch yourself. You peel sleep crystals from the corners of your eyes. You check that your body is generally intact, as you left it the night before, before it was tossed this way and that in dreamtime or nightmare hours. You run your fingers through your hair. Bad hair day, Bad, bad hair day. That lank mop of twisted strands will take precious minutes to brush. Must move, really must move.

Radio. Radio on. News. Beep beep beep. Here is the news. The world is still turning, still spinning on its axis. Elections, rebellions, civil wars, surveys, mortgage rates, currency markets up again down again plunging down again certain to crash again then up up and away, celebrities, celebrity in drug shock sex addict bankrupt morally suspect sniffing coke from an upper class socialite’s breasts award-winning Priory checking-in shocker scandal outrage. Everything much of a muchness. Normality. The sick smell of torpor. Boredom creeps up your backbone.

“And finally …”

An announcement. Today is the first day of the rest of your life. Correction. The only day. No more days. Just this one. Another correction. Not just you. Everyone. Pause a moment for a broadcaster’s nervous cough. He hasn’t had to deliver a report quite this momentous since the moment when a Princess’s ditzy head smashed into a bloody pulp in the back of a sleek Mercedes.

“Let me repeat that. It has been announced by someone or other - possibly God, possibly another omnipotent power who wishes to remain anonymous having ticked the ‘no publicity’ box - that today is the single day. Today will only end when you die. Existence stops here. You have two hours to make your arrangements, to specify precisely and exactly and without equivocation - without hesitation, repetition or deviation - how you wish to eke out the remainder of your tedious three score years and ten. Then that’s it. The end, but also the beginning. This, indeed, is the first day; but it is also the last day and the every day of the rest of your life. Choose wisely, since there is no appeals process.”

Make your decision. Whisper it into the silent white void. Speak it. Shout it. Go on. Do it. The clock is ticking, but what do you want to be doing when it stops?

Stickered tip to toe

Nothing fits, from dawn on through weary afternoon into still and sleepy dusk. I am out to visitors inside my own skin, since today I am an unwelcome guest myself.

Your face don’t fit, mate. You ain’t fackin’ comin’ in.

Frame cracked, smeared glass, imperfectly aligned and picture crooked. Up a bit, up a bit, down a bit, down, down. Yes. Just there. That’s it. No. No, you’ve lost it. Try again.

We could improve you with a snip, you know. Another snip, a tuck and a slice. We could tear you into jagged strips, rip you senseless, then lose crucial moments of your memory under the furniture, incinerate limbs in the ashtray, bleed your veins into screaming babies’ mouths, before trampling and scrunching your putrid leftovers into decomposing landfill under cover of night. Job done - a dirty one, but some unlucky bastard’s got to do it. We would be through by morning, ready to stick a red warning flag in any orifice you like, warning of poisons that may cause irritation and inflammation.

My hair is three sizes too loose. My scalp requires belting up. My cerebral cortex needs to be taken out back into a dark, wet alley and given a damn good kicking. My ears aren’t my own; never were, and never will be. My nose smells worse than it looks, my looks look worse through my eyes, and my eyes keep rolling out and falling into my lap at inopportune moments, coming to rest with one gazing heavenwards and the other praying desperately for a final resting place oozing between the floorboards. My fingers crack their knuckles menacingly, serving as a warning that my hands won’t ever stop itching for a chance to smack some sense into my face. My skin sweats, and a single drop of the sugar-salt moisture coaxes my tongue forth to taste. I am the living and dying, inhaling and exhaling image of a human-creature; a creature-human made flesh and bone.

From tip to toe and back again, nothing fits, nothing works.

This product contains moving parts. Maintenance should only be carried out by an authorised dealer. Warning: warranty void if removed.

The aliens live amongst us

“Aliens, mostly. Definitely the aliens. Jehovah’s Witnesses, homosexuals, lesbians. I wouldn’t be too sure about the Muslims, though I don’t object to them myself, you understand. You just can’t be too careful, can you? But you can’t say I’m not fair, because an American on the street would, well, you know. I just wouldn’t know what to say to them, passing the time of day and such. They would have a big car and insist on putting their letterbox on the lawn. Or a flag or something.

“People who listen to that loud rock ‘n’ roll music all day. Them too. Blang, blang, crash, doof, doof, doof. So aggressive. It can’t be good for them. Exotic pet owners - I mean owners of exotic pets, rather than people who are exotic and have, I don’t know, a little Cocker Spaniel or a tiny lapdog or one of them German breeds. That’d be fine, as long as they weren’t too exotic. Oh me! I laugh at my own, I do. So, no, I just don’t want to live next door to a zebra, that’s all.

Then there’s the … I really don’t like … erm, it’s such a nasty phrase, but Gwen calls them the kiddie-fiddlers. They put them on a quiet street just like this after they get out, you know, and they give them social workers and jobs driving minicabs. Mostly day runs, of course, taking pensioners to the luncheon club and the shops. So I wouldn’t like a kiddie-fiddler here either, but that’s only natural. That’s it, though. I can’t say I’d be minded against anyone else.

“Well, terrorists, of course. Obviously. That goes without saying. You’ve got to keep your eyes open these days. For the terrorists. We can’t give into our fear of them by changing our whole way of life - my mum called it the Blitz Spirit even though she lived out her days in a village in Dorset, but then she’d always go off on one about that Mister Hitler given half a chance. I told her that this was the modern world, that we had to forgive and forget. Dad drove an Audi, too.

“See, terrorists live in cells. That’s what it says on the news. I thought that was sort of funny. Cells! Should be in them, shouldn’t they? And these cells are on cul de sacs all over the country. A cul de sac like this. And the quiet people beavering away in their cells work at everyday jobs while planning their atrocities. That’s another reason I don’t take minicabs any more. It’s not just because of the kiddie-fiddlers, but the terrorists too. So I walk down to the corner every morning at 11, get what shopping I need, then come home and watch the street for any suspicious activity. I find it especially important around half past three when the school empties out, because that Quinn boy from number 27 drops litter on my borders when he’s showing off to his noisy friends. So I tap on the kitchen window and glare at them, mouthing the words. I don’t say them, because I don’t violate the Queen’s English. I just, you know, glare and pretend to shout. It’s safer.

“Gwen and I don’t really socialise. I sit here watching her side of the cul de sac; she sits at her window eating her Ritz crackers and watching mine, though she does get distracted. We call ourselves Neighbourhood Watch, though we never got the badges or the training or nothing. We’re quite futuristic though, you know. Because we don’t go for tea or things like that, we send these text messages. She bought us both little Nokia thingies, and so we update each other on events that way. Here’s one: ‘new family no 18 religious’. Gwen sent that yesterday. Hopefully she means Catholic or something, not Jehovah’s Witnesses. It’s been quiet here, I’m pleased to say, so my last message was three days ago: ‘poss terrorist cell no 14 not gone shopping yet’. I felt a bit foolish when they had it delivered, later that afternoon. Waitrose, so they’re quite posh.

“I don’t tell Gwen about the aliens. Not even her. Because that’s my real worry, that the aliens live amongst us. Even terrorists, you know - until they do the suicide bombings they’re quite normal. Just keep themselves to themselves. Minicabs and secret missions. But if aliens moved in and colonised the cul de sac, I would just feel uneasy. A terrorist cell - well, you could complain about their ball coming over into your garden or if they were making the street unsightly by leaving their car up on bricks for a couple of weeks, because they would want to put it right quickly, wouldn’t they? So as not to attract attention to themselves. Exactly. But aliens just wouldn’t have those customs. You wouldn’t know how they might react. It’s a worry, isn’t it? A real worry.”

Your Ghost

Kristin Hersh

Says the shadow: “I painted this mirror for you last night, just as you asked many moons ago. I am an artist of broad, frenzied brushstrokes when the night sweats seize me and shake me senseless.”

Says the ghost: “From this moment forward, every drop of you will be forever soaked into the pitch black. Nothing to see here, nothing to see. Isn’t that the way you like it?”

Says the shadow: “No longer will I stand here, staring back at your startled gaze, hoping to trace out a final solution in the lines of your still frozen phizog.”

Says the ghost: “Did anyone ever tell you that you have a haunted countenance? If you open your face much wider, your skin will split. If the wind changes direction, you’ll stay like that.”

Says the shadow: “For Lent, I am foreswearing every drop of my rancid bitterness and its sickening smell, replacing it instead with only the sweetest perfumed thoughts.”

Says the ghost: “Not a chance. I will soak your sheets and push you bolt upright at four o’clock in the morning, filling you with thoughts of what became of me. Yes, I could be mouldering, but what if I’m merely sleeping?”

Says the shadow: “There are times when I am grateful for the small mercies of short-term memory loss. Once forty dawns have broken and forty dusks descended, I may have forgotten the very fact of your damned existence.”

Says the ghost: “Show me the back of your left hand. Form a fist in my honour. You want to hit me, don’t you? You want to make me bleed, resorting to guts and animal violence. But what’s that? Is that my name scratched on your sallow skin? Who wrote it? Why has the ink not faded after all this time?”

Says the shadow: “Who are you again? Who were you? I never even knew you. Never even knew. Never knew. Never. And now I’ll never know. Your unmarked grave stays stony silent. It tells no tales, whispers no words.”

Says the ghost: “Shove your astigmatic eyes deep into the streaky glass and aluminium. Breathe in, breathe out. You won’t mist me over, I promise you. I am watermarked into your bloodrush and surging through your veins.”

Says the shadow: “Yes. Therefore, I am alive.”

Says the ghost: “Alive is as maybe. Yet your faded face is such a mess. Your hair is in a shocking state. Your body has seen better days. You are a shadow of your former self.”

Says the shadow: “Still, I can feel my heart beating. Still. It beats.”

Says the ghost: “Can I touch it? Can I feel the rhythm and pace of your mortality? Maybe then I will believe, as I sense you slipping the shackles in which I held you for far too long.”

Says the shadow: “Too late. Your fingers freeze me. You gulped down your pound of flesh, consumed me, and spat out the dregs. I let you eat your fill. The rest is mine.”

Says the ghost: “Maybe I can make amends. Forgive and forget and start afresh. Call me and let me explain. Let me bring my white light into your darkness.”

Says the shadow: “I am hanging on the line. Hanging on your every word, with my lips brushing the mouthpiece. But your voice is buried under antique dust. You are nothing more than crackles and static. You are robotic and drained of feeling. This call is concluded. There’s nothing more to say.”

Says the ghost: “So be it. Just humour me for one last time. Flick open those bloodshot peepers, cautiously and carefully. I want to show myself to you. I want to be naked. I want to be back as all skin and bone, muscle and mucus, heart and soul. Feast your eyes on every one of my physical imperfections. Let your gaze linger where it desires. Can you see me? Can you see?”

Says the shadow: “I see nothing. There’s no reflection, no lingering presence here. No whispering voice or softened footfalls. This corridor is merely dead air, empty as vessels. Just a hollow hallway, framed by mirrors at each end. No one in between. You have lost. You have turned bad, gone for good.”

Says the ghost: “Shall I sleep now? Shall I rest?”

Says the shadow: “Forever, if you can.”

• Kristin Hersh
• Lyrics to Your Ghost

Moonshot #1

I have hatched a plot whereby we can at last get our slippery, sweaty hands on our prey. I know you don’t believe it’s possible, but it is. It truly is. It has to be, because these sunlit, cloud-dashed days of ifs and buts are growing tired of our procrastination. A dull fever is setting in, and my forehead is creasing and caving in under such remorseless heavy weather.

We can hunt down the trophy, imprison it and make it ours. That ethereal globe has taunted us for far too long, making us loathe yet love it in equal measure each time it breaks through the blackness. Always the most unforgiving of searchlights. This is the moment, then, to make it answer to our every desire, our every ridiculous and impractical whim. When it is ours, it will glimmer when we ask. When it is ours, it will illuminate the creases in the bedclothes for twenty-five hours on end, if that is what we wish. Dawn will only come when we issue our demands.

We have documented our mission down to the last dotted i and crossed t. We are buried under the scratched-out signs and crumpled papers. Every footnote corresponds with formulaic certainty to every superscripted digit. We have worked tirelessly after dark, after dark and after dark some more, until dawn inevitably bled itself slowly over the horizon - by which point we had, of course, entirely missed our target’s slow nocturnal wander across the heavens. No matter. Not this night, nor ever again. The end is in sight. Our glorious victory is almost within our grasp, just up there beyond the trees. Close enough to touch, if only we can learn to stretch and push our pathetic bodies to their limit.

We have the plans, we have the diagrams, we have the angles mathematically charted down to the last degree. The only task remaining on our checklist is to lure the silver mirrored moon - that bloated, pendulous prize - into our nets, to tempt it with caresses and then clutch it to our hearts. Soon, our fingerprints will mould new craters from the compacted dust. Soon, our eyes will stare on its shadows like silent stars.

“Catch me, oh catch me, oh catch me if you can.”

Strange things happen

Nine o’clock at night he comes to the door. Nine o’clock at night. Nine o’clock, I ask you. I tell you, he did. To the door. At nine. What sort of time? What sort of hour? What sort of time and hour do you call this? He knocks. I answer. We stand staring at each other for minutes on end. Minutes that only last a matter of seconds. Because we are in a movie. Or a dream. Or a timeslip. I am fuzzy, you see. Bleary. Gone. I left some minutes ago, going that way into a wall. He is covered in sand. Covered in sand and panting. Panting. Tongue, put it away. Nasty piece of meat. He is going to faint. Don’t faint on my doorstep, you bastard. You fucking sand-covered bastard. Don’t faint. Stand upright. Stand bloody bolt upright and tell me. Look me in the eye and tell me what you’re doing here. He tells me what he’s doing here. He tells me that he has walked through the desert to get here. I ask him what desert. There is no desert around here, I tell him. Only a strange dark common where people do unspeakable things to each other after dark, jog in the mornings and walk their unspeakable dogs during the overcast afternoons. But he is adamant. A desert, he says. He tells me about the desert. He has walked through it. I tell him that he has said that already. He tells me that he has walked a long way through the desert. That he needed to get here to tell me that he had walked through the desert. That’s all. The desert. He walked it. Big deal. Big fucking deal. It is a big deal, he says. He walked through the desert because he needed to tell me that the desert was not how it was. How it should be. I raise a quizzical eyebrow. He asks what’s wrong with my eye. Ignore him. Tell me. The desert, he says. The desert has turned monochrome. Black and white. It’s transformed itself into a nineteen eighties Athena-style poster. Except not as stylish. Or interesting. Very dull. Very black. And white. And grey. Lots of sand. But grey sand. Grey sand everywhere. He tells me this. He tells me that he has sand between his toes. In his mouth. In his armpits. In his hair. Around his neck. Coating the sweaty skin of his testicles. I don’t say anything. I don’t want to know. Sand is sand is sand. Grey, brown, beige or yellow. Sand is just so much sand. Sand. Time’s running out. Sand, he says. Time’s running out, I say. Sand, he says. Sand does that. It runs out, like time. Time, I say. Time. Time. Time. I slam the door on him. He knocks. I open it. He berates me for not asking about the sand. The grey sand, he says. Sand doesn’t interest me, I reply. Not much of interest in sand. That’s bad luck, he says. Bad fucking luck. He pushes past me. He is carrying a sack over his shoulder. I don’t know why I didn’t notice the sack. Brown sack. Hessian. Maybe I am blind. Or fuzzy. Or bleary. Or gone. Maybe I walked into a wall and became a wall. I don’t know. He heaves the sack up and over. Up and over. Up and over and over and up. Back up. Back up a moment. Back again. He tips the black and white and grey sand all over my floor. The carpet is carpeted. Monochrome. He is monochrome. Underfoot is monochrome. Everything is monochrome. I am in a monochrome dust cloud. I have become so much monochrome. He turns to me. I told you, he says. I told you that I came to tell you. Now I have told you. I am going now. Monochrome, he says. Everything is monochrome. You are monochrome too. I am going now. Job done. Mission accomplished. He goes. He gently closes the door behind him. I stand in my monochrome home with my monochrome walls and my monochrome floor and my monochrome furniture and my monochrome clothes and my monochrome skin. I feel black and white and grey. All over. I feel all over. That’s all over. All over now. Strange things happen. Strange things. They happen. They just happen elsewhere. That’s all. It’s happening elsewhere. Out of here. Over there. Somewhere. Not here. Here it’s just monochrome. Too monochrome. Monochrome. Black and white and grey. What colour are you?

Random notices #20

• Original photograph by that Diamond Geezer fellow.

Random notices #19

• Original photograph by the eminently voteworthy Diamond Geezer.

Random notices #18

Random notices #17

• Original photograph by the Bloggie-nominated Diamond Geezer.

Random notices #16

Random notices #15

• Original photograph by Diamond Geezer.

Forget-me-knots

Her apron strings lie limp now. These days, no one comes clattering into the room, jumping up and scrabbling for attention. There are no hands ready to be rubber-gloved in the motherly love kept at the kitchen sink until the dishes are done. So she carefully smooths the strings on the gaudily patterned garment - the splattered scene of many a disastrous culinary experiment dreamt up in those desperate moments when she would attempt to feed her brood’s disinterested bellies with something fresh - but leaves the tired material hanging from the hook.

Turning back into the room - a seventies time capsule of beige tiling and faux farmhouse surfaces - she wonders how, despite the empty nest, there can still be so much crockery to clean and gleam and return to the cupboards. The last meal she cooked was months ago - the dinner that remained uneaten for days, whilst every broken branch of the family tree then present carefully avoided mentioning the grumbling of their empty stomachs for fear of breaking the anxious silence.

She ties a tea-towel tightly round her thin waist, knotting it behind her whilst wondering why she still bothers to protect her shabby clothes, and plunges her hands into the water. It’s too hot for comfort, but she barely registers her reddening skin as she wipes plate after plate after plate.

Out in the fields of grey earth and warmed-through stones, nothing grows. He keeps claiming that the ground is now haunted, polluted by their child’s roaming spirit which each night spits its bitter poisons into the soil, determined to kill off any tell-tale shoots of recovery. But the crops were never more than a foolish money-making enterprise, long ago given up in favour of hardy livestock whose tough skins and fleece could cope with the ravages of the droughts, the storms and whatever came hurtling after.

He spies a tired shape slinking in and out of a nearby ditch, and recognises the neglected creature as his daughter’s pet dog: a rescued puppy now all grown up and looking for a new saviour to gaze into its soulful eyes and impulsively decide to take it away from all this, just as she had done when she brought it here, to the end of nowhere. He feels in his jacket pocket for the mongrel’s collar, and his fingers run gently over the circular name tag that his daughter had carefully tied to the leather with a piece of string. It feels deathly cold to the touch, despite the heat hanging heavy in the air. He remembers his promise to be a father to her closest companion, even if he had never been much of a father to her, but gruffly dismisses the thought. Look after yourself. Do nothing more than exist, and maybe we’ll all just get by in this hollowed-out home.

Time to trap the beasts into their pen. Stop them wandering here and there, drifting aimlessly to deserted corners where all they can do is lie down and wait to be recovered from prolonged exposure to the hostile conditions. He drags the steel wire through his hands, and knots it round pole after pole after pole.

Far away, he’s abandoned himself to the urban dream. Lights and music, neon and beats, glitter and noise. Rushing this way and that. He’s down amongst the people who are living life on the very edge, though since he’s already been to the precipice one too many times, he knows that their ideas of diving headfirst into every experience on offer are merely pretence. He saw it all, years before, when he felt his head pushed into the darkest pit of hell as powerful fingers clamped the back of his neck, and he has no desire to see it again.

He’s keeping the promise he made when they lived under the same roof, sharing the same bed on those thunderstruck nights when the house erupted around them. Times when a raging curse and even worse were only ever a partition wall away. As they stared intently at the thin slither of yellow light that crept under the closed door, he vowed that they would leave before long, before too long. Later, he whispered the exact same words into a cacophony of pulsing machines and dripping tubes, watched over by subdued green screens, while he clutched his sister’s hand. She felt different. She had already left. He followed soon after, via a different route, though neither of them had any idea where they were headed.

He unzips the bag on the seat beside him, placed there in the hope of deterring any fellow passenger from joining him in his train journey speeding north, and rifles through the clothes and few essential belongings that accompany him wherever he goes. He’s always ready to travel to a new city, whenever a ticket becomes affordable. Hidden between leather and denim, cotton and plastic, he finds the simple red ribbon that used to adorn her hair, and drapes it over his left wrist, tying it firmly into place. The smallest and most insignificant of gestures, but one that he observes each time he heads out on a new adventure, to a new destination, maybe even a new home. Knot after knot after knot.

Random notices #14

Random notices #13

• Original photograph by Diamond Geezer.