Discovered just in passing
A couple of references to other sites, just to prove I still read the occasional one or two. Firstly, Robyn taps into a very, very distant memory by using the phrase “pixie-led”. Suddenly, I’m recalling the Christmas of 1980 in the Cathcart area of Glasgow. It was the one and only time I met the Scottish branch of my Dad’s side of the family. I remember hardly any of them, except for my great aunt Ella — a woman built like the proverbial brick shithouse, with a dirty laugh and fingers like rolling pins, which she used to rather indelicately pinch the cheeks of all the “wee kiddies”. And yes, I’m aware that this makes her sound like a character from a particularly bad costume drama.
At this time, I was a very introverted daydreamer and would spend hours scribbling away in notebooks constructing fanciful stories. This seemed to particularly annoy my aunt Ella — she was getting on in years, and it was the first time she’d had a sizeable number of her young relatives around her for a big family occasion. Maybe she felt it was going to be last, too. But as a nine-year-old daydreamer, I just wanted to sit in the corner and do what daydreaming children do. Exasperated, Ella would tell her brother — my grandfather — and anyone else who would listen that they shouldn’t let me be “led by the pixies.” Confused as to what exactly she meant, I asked my grandmother to clarify: “She means that you’re off with the fairies.” I liked that version even less, so stuck with the pixie alternative. It sounded a little more mischievous. At some point, I’m sure I resolved to find out more about this mysterious pixies. Alas, it was not to be.
I really hadn’t heard that phrase for 22 years. For more illumination on being “pixie-led”, you can do no better than the strange little kids’ story (presumably for strange little kids) that Robyn also links to:
“You know what I think.”
“What?”
“I think you been pixie-led!”
“Me? Nah, just like my Pa says, dumber than a post with nothing in my head but music and dreams.”
Bloody bizarre, but somewhat befitting of my memories of that one Scottish family Christmas — and also a warning against letting rural Somerset types breed with Glaswegian townsfolk. Oddness will undoubtedly result.
Elsewhere, Anna reminds me of some of those wonderful — well, wonderful but ever so slightly pointless — exercises that made up the practical part of my drama degree. Anyone for a game of Zip, Zap, Bop?
Aside: Yes, that’s a drama degree. A degree in drama. Graduated in 1993. Career months involving use of drama qualification so far — five, at a conservative estimate, and even they were voluntary work. Somehow I drifted into working on the web, which I love(d). But I am beginning to think that it’s time for me to use some of the skills and knowledge I learned all those years ago, in some form of gainful employment. Not much to ask, or is it? Life change coming up? Maybe. I’ve been thinking, anyway … momentary whinge over.
So, back to pointless drama exercises. If I tell you that at my interview/audition for the University of Hull in 1990, part of the day involved conveying a range of emotions towards inanimate objects, and that I excelled by conveying enraged jealousy towards a wooden garden bench, then you’ll know the kind of direction we’re heading in. Still, I obviously made a brilliant double act with the bench, as it secured me a place on the course.
Anna mentions the creative writing exercise that our particular tutor called ‘Morning Writing’. As, I suppose, a form of automatic writing, it involves getting up and writing solidly for half an hour, from the very moment you wipe the grains of sleep from between your eyelashes.
Get real.
Try to imagine the average student sliding out from under the duvet, seamlessly moving across to their desk, and then writing or typing non-stop for 30 minutes. Then imagine a drama student — a rare breed not known for their devotion to written work (too busy performing, dahlings) — trying to do that. Exactly. I rest my case.
Except … well, except that I tried the ‘Morning Writing’ routine, with almost religious commitment, for two months during my second year at university. The writing I produced was surreal, abstract, disjointed and — predictably — mostly bloody awful.
There is some wisdom in the idea of getting up early and writing before the world around you comes to life, with all its distractions. But, like anything, I do think you need to prepare — and for me, the early hours of the morning require preparation via at least two cups of strong coffee and possibly a couple of Ibuprofen. My creative juices require chemical stimulation, thank you very much.
Alternatively, of course, just start writing at gone 11.00pm at night, when you’re dog tired. I can virtually guarantee that you’ll spew out any old bullshit, provoked by the inconsequential little thoughts that have somehow drifted into your mind. Isn’t the ability to use and abuse language just completely brilliant?