I’m in love with a German film star

Let’s get one thing straight about last night’s muted Oscars cere­mony (Oscars Lite, any­one?) Redu­cing the glitz and the glam­our isn’t going to save one single coali­tion sol­dier fight­ing out in the Gulf. And while film stars and movie dir­ect­ors may wield enorm­ous influ­ence in Hol­ly­wood, a few words of anti-war sen­ti­ment in their speeches isn’t going to bring a halt to the bloody events in Iraq.

While the stars milled around pat­ting them­selves on the back for their sud­den bout of social con­cern, even host Steve Mar­tin could spot the ridicu­lous nature of the situation:

I’m glad they cut back on all the glitz — you prob­ably noticed there was no fancy red car­pet tonight. That’ll send them a message.”

And that’s exactly the point. For whom was this muted (well, muted by Hollywood’s stand­ards) show being staged? The troops out in the Gulf? If they could even see pic­tures from the cere­mony, do we think they cared about the Oscars? Were sol­diers’ hearts filled with warmth and admir­a­tion for Nicole Kid­man et al, because they had decided to wear black instead of rolling out their latest absurd designer frock? Such self-sacrifice should really be applauded, shouldn’t it?

Then, of course, there were the accept­ance speeches. You and I know that each star is there to pick up an award that could sig­nal the biggest moment in their career, but — bless ‘em — every lead­ing man and lead­ing lady sud­denly felt the urgent need to inject a little polit­ical con­cern into their gush­ing words. So we had Adrien Brody, the win­ner of Best Actor for The Pian­ist, telling us:

… I am filled with a lot of sad­ness tonight because I am accept­ing an award at such a strange time … whatever you believe in, if it’s God or Allah, may he watch over you and let’s pray for a peace­ful and swift resolution.”

Er, yeah — thanks Adrien. Of course, what this quote doesn’t get across is that this plea was almost an after-thought for Brody, because up until that point he had been prat­tling on inter­min­ably while he thanked every­one from God downwards.

Nicole Kid­man wasn’t much of an improve­ment either:

I do have to say, it was: ‘Why do you come to the Academy Awards when the world is in such tur­moil?’ Because art is import­ant. And because you believe in what you do. And you want to hon­our that. And it is a tra­di­tion that needs to be upheld.”

Yes, Nicole. Art is import­ant. But if you truly think the Oscars are art, then carry on with it. But carry on with it in the same style as ever — osten­ta­tious and ridicu­lously over-the-top.

So while the pun­dits were wor­ried that Oscar accept­ance speeches were going to be filled with anti-war rhet­oric, in real­ity we were treated to little more than warm words and Hol­ly­wood schmaltz. The only win­ner who had the nerve to stand up on that stage and get right­eously angry was, of course, Michael Moore:

We like non-fiction and we live in fic­ti­tious times. We live in the time where we have fic­ti­tious elec­tion res­ults that elects a fic­ti­tious pres­id­ent. We live in a time where we have a man send­ing us to war for fic­ti­tious reas­ons. Whether it’s the fic­ti­tion of duct tape or fic­ti­tion of orange alerts we are against this war, Mr Bush.”

The pas­sion and indig­na­tion of Moore aside, how­ever, I think the Academy made a ser­i­ous mis­take in try­ing to have the best of both worlds — to have a cere­mony as always, but cut it down to reflect the ser­i­ous­ness of the inter­na­tional situ­ation. If they had kept the red car­pet, the out­rageous frocks, the weep­ing act­resses, it would have sent the mes­sage: “Yah boo sucks, we ain’t gonna let no tin­pot dic­tator stop the Amer­ican way of life.” Altern­at­ively, they could have can­celled the whole thing (my favoured option), and the stars could have demon­strated how true their anti-war col­ours actu­ally are by join­ing the protest­ors outside.

But that would have meant los­ing all those vital Hol­ly­wood dol­lars, wouldn’t it? The Oscars may well be partly about the art of cinema, but it’s also a lot about the busi­ness of movies … just like the cur­rent war may well be partly about lib­er­a­tion people from a dic­tator, but it’s also a lot about oil.

Sniff. I’d like to thank Mom, Dad, the Academy, my agent, my dearest friends Michael and Cath­er­ine, Celine Dion, all the rest of the cast who didn’t win awards, my ther­ap­ist, God — and gee, war really is ter­rible, isn’t it? [speech excerpts from BBC News; entry title by Graybo]

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