Don’t use that tone of voice with me
Almost two weeks after returning to the world of work following the extended period of reclusive isolation offered by the Christmas break, I am pleased to report that the Funny Voices have finally disappeared.
I should explain — because I can already sense that you’re slightly concerned about the state of my mental health — that I’ve not been hearing Funny Voices. No, it’s worse than that. Regrettably, I have once again plumbed the depths of social embarrassment that one only reaches by actually speaking in Funny Voices.
The Funny Voice is yet another of those defence mechanisms that I foolishly employ to cope with my frequent shyness in social situations. I’m sure I don’t need to go into details, because you’re all well aware of it by now thanks to frequent discussions of the subject on this site.
Oh, very well, then. Dry throat, sweaty palms, nervous and repetitive hand-wringing, plus the methodical destruction of pieces of paper or disposable coffee cups while attempting the art of conversation. Deep breath. Inability to speak, inability to make small talk, inability to look anyone in the eye, terrifying nervousness about approaching even the closest friends for a harmless chat. Deeper breath. A desire for the ground to open up beneath my feet to allow me to plunge into its inky blackness, thereby putting me and (I invariably assume) the other person out of our collective sense of hideous social discomfort.
See, you remember now. I knew you would.
So, where was I? Oh yes, I remember. Funny Voices. I don’t know how it happened, but I can only assume that a few years ago some little corner of my warped mind held a case conference with another little corner of my warped mind, and between them they decided to try and help me get over my horror of many social situations by sending subconscious signals telling me that speaking in a slightly comic voice would calm my nerves and make things seem so much better. As ideas go, I think it probably ranks alongside approaching someone whilst wearing a pair of underpants on one’s head.
Of course, I am exaggerating slightly — and thank heavens for that small mercy. My Funny Voices aren’t in the same cringeworthy league as those of the stereotypical Office Joker, an example of whom resides in every bland, grey, open-plan workplace across the land. I don’t do impressions of Frank Bruno, Frank Spencer or Frank Carson. Believe me, if I did I would quite happily lock myself in the stationery cupboard and punch the industrial stapler through my tongue, before shooting myself.
No, my Funny Voices are more like nervous, jittery exaggerations of my own natural vocal inflexions: too camp here, too affected there, too matey to him, too fawning to her and — as the final act of over-compensating — just being too loud to everyone, thank you very much. Only very rarely will the full grand guignol experience of what surely amounts to the Funny Voice version of Tourette’s display itself in all its inappropriate glory. That is something to be witnessed in all its real-life horror, and no account in mere text can do it justice.
Fortunately, I am once again becoming used to the social whirl of, well, meeting people in corridors and having a chat (and as basic as that sounds, it can be terrifying for me). Hence the vocal eccentricities are at last receding, although I know the relief is probably only temporary. All it needs is another attack of social-phobia and the Funny Voices will be back with a vengeance.
So if you should happen to hear somebody saying “HELLOOOOOOOO!” to you in a ridiculously loud and unnecessary manner, try not to be too startled, and maybe offer a greeting in return. It will work wonders for putting me at my ease, and I might even manage to reply in a sensible voice. No promises, though.